INPUT
Idea, Material and Screenplay
Plain text, expose, screenplay or concept as the starting point. For example: a crime novel set in the Alps or a treatment for a coming-of-age series.
Data delivers the evidence. You deliver the verdict.
Illustration; no partnership implied.
CineCockpit is the complete AI streamline: from concept and screenplay through story and market analysis to a verified marketing approach. All stories, talent and rights in one place, queryable through chat. For filmmakers, producers, studios, broadcasters and streaming providers across Europe.
Libraries
Filter // Taxonomy
Regional crime novel with a socio-political undercurrent. Bestseller status in Austria (weeks 14-22). Screenplay rights currently available via literary agency.
Most recently lead director on a public broadcaster mini-series (8x45min). Specialisation: historical thriller, fluent in southern German and Austrian dialect.
Psychological drama set at an isolated weather station. Pitch deck complete, funding application in preparation.
DEVELOPMENT // 11:04
"Which unadapted Alpine crime novels with a strong female lead fit a public broadcaster Saturday-night or prestige slot?"From 89 IP records in Europe segment, 2 novels meet all criteria:
1. "The Shadow over the Inn Valley"
Confidence: 94% - Rights: available - Female detective, 38, dark tone.
GUIDING PRINCIPLE // SOVEREIGNTY OVER ALGORITHMIC ARBITRATION
Creative development cannot be replaced by opaque scoring systems. CineCockpit provides structured information, context and historical evidence about stories, talent and market conditions.
The dramaturgical judgement, the gut feeling and the business decision remain yours alone. CineCockpit makes sure you have the complete picture on the table before every call.
SYSTEM LOGIC // TWO CORE PRINCIPLES
FLYWHEEL PRINCIPLE
Stories, talent and market data are not imported once and left to sit. Every query, every chat session, every newly created asset enriches the living data sheets. Facts that emerge in conversations with your team feed directly back into the database. The result: the next finding is better than the last, without anyone needing to update records manually.
EUROPE-FIRST
CineCockpit runs exclusively on European infrastructure. The AI models used are interchangeable: open European models, proprietary enterprise APIs or locally hosted instances -- depending on the studio's security requirements. No client material ever leaves Europe. No data flows into model training. Full GDPR compliance with a data processing agreement.
HOW THE WORKFLOW RUNS // END-TO-END STREAMLINE
Six steps. One continuous process. Data delivers the evidence, people deliver the verdict.
INPUT
Plain text, expose, screenplay or concept as the starting point. For example: a crime novel set in the Alps or a treatment for a coming-of-age series.
ANALYSIS
Extraction of genre, tone, characters and format parameters. The system identifies micro-genre, narrative perspective and regional setting.
MATCHING
Structured matching against open sources, book market data, streaming demand signals and audience resonance from digital communities.
PROPRIETARY AI
EU infrastructure, interchangeable and self-hostable. No dependency on non-EU providers. No client data flows into model training.
FINDINGS
Comparable titles (e.g. Dark 2017, Kleo 2022, Babylon Berlin 2017), audience match and cited sources with confidence. No black-box scores.
OUTPUT
Recommendations for digital channels based on the market findings. Audience-specific targeting, channel selection and community resonance potential.
STEP 6 // MARKETING
CineCockpit closes the loop: based on the market findings, the system generates concrete recommendations for reaching audiences through digital channels. Which segments are drawn to this material. Which community signals show resonance potential. Which comparable titles serve as reference points for pitch communications.
No box-office promise, no automated greenlight. The marketing approach is a starting point for your team's judgement, not a substitute for it.
FOUNDATIONS // FOUR CORE PRINCIPLES
From screenplay and material analysis through to market matching and marketing approach: the technical and editorial foundations of the platform.
All data and models run on European infrastructure. No client material leaves Europe. No vendor lock-in on US cloud providers. Deployed in ISO 27001-certified data centres, with on-premises deployment available for studios that require it.
We use Mistral as our language model: a French open-weight model operating under EU legal frameworks. The model is interchangeable. Studios can switch to other open models or run their own locally hosted instance. No data flows into model training.
Every use improves the data sheets. New facts from chat sessions, research runs and screenplay analyses feed directly back into the living asset records. The system gets sharper with each session, without anyone maintaining records manually.
Stories and themes are matched against aggregated resonance signals from social platforms and online communities. No platform-specific raw data, no personal data. Neutral categories, GDPR-compliant, weighted for the European market.
Three interconnected modules that turn scattered notes, market observations and story files into a learning system. From the first concept through to the marketing approach: connections to social platforms, streaming services, community signals and databases are provider-neutral and can be swapped at any time.
No more scattered Word documents, spreadsheets and email attachments that nobody can find. The Asset Library acts as a curated knowledge store for all your stories, talent, contacts and external IP observations. Every screenplay, every story idea and every talent profile lands in a structured, searchable format.
IP TITLE
New fact extracted: "Adaptation option expired without renewal. Rights holder has signalled willingness to negotiate."
No data sheet ever goes stale. The moment you create a story or talent entry, an autonomous agent researches the baseline data and formats it consistently. Data is matched against open databases and freely available sources -- transparently, with a source citation for every point.
The key part: every conversation your team has in chat about this asset flows back into the record as a verified fact. The flywheel principle in practice.
Autonomous initialisation on creation
Continuous re-sync when market conditions change
Ask complex, editorial questions about your entire dataset in plain language. The agent decides in the background: do the internally held data suffice, or does a targeted DACH market search need to be triggered?
Every figure carries its provenance: source, date of collection and confidence interval. No hallucinations, no hearsay.
4 profiles with a high match were identified. Example:
Most recently: head writer on a 6-part public broadcaster event series (1920s). Available for follow-up projects from August 2025, per agency.
02 // TAXONOMY
Each type has a tailored data schema that reflects the real conventions of the European film and television industry.
Actors, comedians, creators and influencers with a relevant audience transfer.
Directors, screenwriters, showrunners, producers and key cinematographic figures.
Novels, non-fiction, graphic novels, stage plays and documented life rights. Matched against open book market and publisher data in the Europe.
Games, narrative podcasts, web formats, audio dramas, music catalogues.
Your own stories at any stage of development, from a two-page concept sketch through treatment and screenplay to a finished pitch deck for broadcasters and streamers. Story and screenplay analysis directly within the system, matched against the existing library and open comparison data.
03 // OPERATING MODES
Whether you are scanning the market for fresh ideas, reviewing a submitted package, or preparing for a serious negotiation.
RADAR FOR OPPORTUNITIES
A continuous radar across the German-language book and rights market. Find newly published titles, award-winning stage plays and still-unoptioned IPs before the major broadcasters do. Data from book market sources, community platforms and social signals flows in on a provider-neutral basis.
CONTEXTUALISING A PACKAGE
A book or screenplay lands on your desk. Enter the package. CineCockpit compares tone, casting suggestions and the market landscape against past DACH productions. The story and screenplay analysis delivers concrete comparable productions and context from verified sources.
6 DATA BLOCKS PER ASSET
Comprehensive deep analysis of a specific asset. Generates a structured 6-part matrix: rights situation, track record, exploitation chain, audience segments, funding compatibility and comparables.
04 // DATA INTEGRITY
International film databases frequently give an incomplete picture of the Europe. CineCockpit prioritises primary DACH sources and matches stories and concepts against open sources as well as specialised industry databases.
International data flows in exclusively as supplementary context. Every data point is subject to a strict attribution requirement.
Direct integration and structuring of DACH book market data, industry-specific talent databases and the public media libraries of major German-language public broadcasters.
No catch-all "drama" bucket. Classification uses industry-specific fine-grained categories (e.g. "Alpine Noir", "Village Satire", "Bureaucracy Thriller", "Historical Coming-of-Age").
We do not extrapolate on assumption. Analyses are based on actually recorded publications and production lists from the Europe since 2010.
Every figure and market statement is delivered with a primary source, an exact collection timestamp and a calculated confidence value.
05 // COMPLIANCE & DATA PROTECTION
Screenplays and story ideas are a studio's most valuable asset. CineCockpit handles them to banking-grade security standards.
Operated exclusively in ISO 27001-certified data centres in Frankfurt am Main and Zurich. Full GDPR compliance with a data processing agreement.
No cross-tenant data mixing. Each studio receives a strictly separate database. Available as an on-premises or private cloud deployment on request.
No vendor lock-in. Choose freely between European open-weight models or proprietary enterprise APIs, with local deployment available.
No client material is ever used to train AI models. Non-storage of prompts and internal documents is guaranteed by contract.
06 // DATA ENGINE
CineCockpit draws on a curated set of public data sources. The agent selects precisely based on the question, resolves entities via a knowledge hub and returns the result with source citation, date and confidence. Connections to social platforms, streaming services and community databases are provider-neutral and interchangeable at any time.
No black-box score. The finding shows market position, comparables and demand signals. The verdict stays with you.
Engine architecture in detail →07 // TEAM & PARTNERS
CineCockpit is built at the intersection of technology expertise and industry experience.
Industry experience in film and streaming development across the European market.
Munich-based technology company. Development and operation of CineCockpit, EU hosting, AI integration and data pipeline.
"We used to spend days chasing comparable ratings, media library dwell times and rights availability ahead of a broadcaster meeting. With CineCockpit we have the full picture in minutes, without an AI telling us what good dramaturgy looks like."
CINEMA - TV - STREAMING
For everyone who decides what reaches the screen.
In a 30-minute live session we demonstrate the platform using an anonymised IP or one of your real research scenarios.
AVAILABILITY: PRODUCTION COMPANIES, BROADCASTERS & STREAMING PROVIDERS.